I couldn't resist the play on words with the riddle that children take such delight in. Even though the answer is traditionally 'newspaper', it also could apply to many books...any certainly to those I'd like to write about today, which even have red covers.
The books in question are part of a series conceived by Christopher Alexander and his team at the Center for Environmental Structure in Berkley, California. If I could take only one book to a deserted island, it would have to be the second volume in the series, A Pattern Language (and it is the book I have given most often as a gift). A passage I wrote for The Piazzas of Florence gives a little background on the patterns:
My introduction to Alexander came when I was earning my architecture degree, but [A Pattern Language] is much more than a book about architecture: facets of sociology, psychology and culture that comprise built form have been taken into consideration to create two hundred and fifty-three patterns, resulting in a specific ‘language’—a language of building and, even more significantly, a language for living.
It begins with the larger patterns that define a community, such as FOUR STORY LIMIT, which allows people to have a sense of connection to the rest of the world even when they are in their homes and offices, a connection that tends to disappear with high rises; NINE PERCENT PARKING, which limits parking to no more than nine per cent of a given area, as it destroys human scale and contact in cities; SMALL PUBLIC SQUARES, which highlights the importance of public outdoor rooms, and reminds us to consider the number of people who will use them so they won’t be too big—and therefore go unused; and HIGH PLACES, which emphasizes our need for landmarks—and a chance to get perspective on our world.
Next Alexander moves onto patterns that should characterize individual buildings, and then comes a section on finishing the details of the building and its outdoor space. As I read through the patterns, even the names of many of them evoke appealing images, of the kinds of places where you want to curl up with your thoughts, a good book, have a nap, chat with friends, eat a celebratory meal.
The series of patterns concludes with THINGS FROM YOUR LIFE—a reminder to surround ourselves with things we love, that tell our story. Of course, following a list of patterns does not ensure good design—in the first volume of the series, A Timeless Way of Building, Alexander spends over five hundred pages trying to define the elusive ‘quality without a name’ that makes for good architecture—but it’s a starting point. I recognize that one reason why I so enjoy living in Florence is for its PUBLIC OUTDOOR ROOMS, INDIVIDUALLY OWNED SHOPS, STREET CAFÉS and CORNER GROCERIES, to name a few; they all add up to a congenial and fulfilling environment. Some day I would like to count how many of the patterns are part of my life here.
Well, I still haven't formally enumerated every pattern that I encounter in my daily life in Florence, but I have been spending more time exploring the patterns; they are part of my ongoing '12x12' project (which I will reveal more of this year). Many of the patterns are common sense—things that may seem very simple—but they are often overlooked in architecture and urban planning. As Alexander points out, we seem to have 'forgotten' this intuitive language of building. I'd like to focus on at least one pattern each month of 2013—something that's relevant to the time of year/what's going on around me.
For January I've chosen pattern 252: POOLS OF LIGHT. I love even the imagery conjured up by the phrase 'pools of light'...it makes me think of a small pond of deep, perfectly still water reflecting the sky in the clearing of a thickly wooded area...or the metaphorical light at the end of the tunnel, drawing us closer. Found nearly at the end of the book (among the most 'intimately'-scaled patterns), this one feels especially important during these months of short days and minimal sunshine.
'POOLS OF LIGHT' examines the appeal and role of individual, concentrated light sources (as opposed to a stark, uniform light source), and explains how they can concentrate individual activities as well as define social groups. For example, in the social context, uniform illumination may discourage people from forming groups that would tend to occur more naturally within boundaries marked out by a 'pool of light'. Alexander also cites a study showing that concentrated lighting allows work to be more focused (I know I find this to be true). I love some of the illustrations, for example how a lamp suspended over dining table "seems almost to act like a glue for all of the people sitting round the table."
The pattern concludes with these instructions:
Place the lights low, and apart, to form individual pools of light which encompass chairs and tables like bubbles to reinforce the social character of the spaces which they form. Remember that you can't have pools of light without the darker places in between.
Studies, experiments and rationalizations aside, I know I find few things more inviting than a desk lit by a lamp—or an armchair sitting in a cozy pool of light, enticing me to curl up with a book. Likewise, as the light changes each season, I reorganize the most important activities to be in the sunniest part of the room (though of course there are times when it's so hot that cool darkness is more appealing). For me, light defines, encourages, and can even inspire, my daily activities.
I don't seem to be very successful with nighttime photography, but last night I tried to capture the studio table lit by only the desk lamp. This is the kind of thing that makes me want to keep working late into the night...
On my original blog I wrote an entry that gives more details about the premise for the patterns found in volume one of the series, The Timeless Way of Building, and have just re-posted it here for those of you who might like to read it.
While Alexander may take several hundred pages to define the 'quality with no name'—a fact that some readers have taken issue with—after trying to convey the essence of POOLS OF LIGHT, I will say that I'm beginning to understand how describing such a simple concept can be so complicated! Though perhaps, as Einstein said, "If you can't explain it simply, you don't understand it well enough." Hmm. I will keep working on it...
Here are a few photos of some of Alexander & Co's books, taken in scant moments of cold winter sunshine—a sort of Day Three of the 'black & white' photo challenge...
{Just another reminder that I'm still collecting names for the one-year-on-Blogger drawing. In case you didn't see the original mention of it...anyone who leaves a comment or emails me by the end of January will be eligible to win the item of their choice from my shop. Thanks again for your patience on the long wait until the drawing takes place...I am hoping that a new collection—the embossed maps—will be in the shop by then...}
I haven't the words to convey how deeply moving I find this post. The words may come, but it will be a few days and several visits before they come.
ReplyDeleteThat shot of your desk...sheer perfection. Your photo play of black, white and red all over using the books...simply brings a huge sigh of wonderment.
Bravo!
Thank you - your generous comment made my day, Jennifer! It always makes me happy to hear that someone has appreciated and enjoyed my words/images/thoughts...
Delete- Lisa
That sounds like the most remarkable book Lisa - applying person concepts gently to the spaces we live in and inhabit in different ways. Definitely one to follow up on, and your accompanying photos are just gorgeous. Thanks for the introduction
ReplyDeleteI'm glad you enjoyed hearing about Alexander's books...his body of work is pretty awesome, both for its content and its depth & breadth. And, interestingly (human-scaled/oriented though the original premise was), the idea of the pattern 'language' has also become big in the world of computer programming.
DeleteI have read some of these volumes.I wish more architects and city planners would!Pattern of Language is well worth seeking.
ReplyDeleteI like "pools" of light in a sitting room.This house does not have ideal lighting, but we do have dimmer switches and bedside lights.It helps.
Yes, it's a shame that the patterns - so basic, really - are not taken into consideration more often by those who create our cities, houses, etc. At least there are things we can do on a more intimate scale - like creating those lovely pools of light here and there...
Delete- Lisa
i am new to your work, but found that you've reminded me of a pattern language, a book i bought to use as i think about making a home with my partner. it was a beginning for me, a way to frame the things i needed. i will return to explore more here.
ReplyDeleteThank you for visiting and taking a moment to leave a comment, Velma.
DeleteAnd yes, I think the book offers a wonderful starting point in terms of making one's home more livable/personal/welcoming. Someday I would love to start from the ground up (as did the group of families in Mexico featured in The Production of Houses), and have the chance to choose/integrate as many patterns as possible...
- Lisa
P.S. Your name will be added to the drawing on 1 Feb.
Hello Lisa,
ReplyDeleteI love the passage you have quoted from "A Pattern Language" on light and the image of your studio conveys that idea beautifully. It's always great to get a glimpse into your creative world.
The books sounds like an interesting read(I remember also reading about it in your earlier blog)and curiously I hadn't come across it in my own architectural studies. I couldn't agree more on his thoughts on patterns that help build a community, and I think it's one of the many reasons I so love Italy.
Thanks, Sophia - I'm glad you enjoyed the passage...and the 'glimpse'.
DeleteI first got to know 'A Pattern Language in my History of Architecture class. Since it was so expensive ($60.00 at the time, I seem to recall) - and was only one of many books we were required to read - the professor didn't expect us to each buy a copy. Instead, we would go to the Art/Architecture library and wait our turn to read it there for a couple of hours at a time. I think it was the first architecture book I bought after I graduated - it really made an impression! I think it will take another couple of decades to fully absorb everything found in its pages. Alexander has written quite a few more book in the meanwhile, only a few which I have, so I have some catching up to do!
- Lisa
P.S. Your name has also been added to the drawing...