Hello again (after so long). As I returned to the draft for this blog entry, which has been awaiting attention for quite some time, I wondered if maybe I was procrastinating because I didn't want that last entry—about cherishing those last days of summer—to be replaced...
Yes, autumn has definitely reached Florence. We're living in that unpredictable balance of passing the day in a shroud of clouds & trying to take in as many hours of breathtaking golden light as possible. I think often of my early visits to Florence, which were at this time of year. Leaves are changing to yellow, beginning to fall, and the produce stands display a whole new palette: the deep purples, dusty greens, rich oranges & variegated reds of figs, grapes, plums, pears, persimmons, pomegranates & apples.
After a few months of inactivity, the oven is back in use again. We've made scones (recipe in this entry), fig tart (using the sweetened version of the crust in this entry) & (twice!) a lovely rustic plum cake from my friend Tessa Kiros' first cookbook, Twelve. Unfortunately it's now out of print, but she's had several others out over the last decade. I treasure my copy, as it has the black & white cover from her original self-published version.
On the subject of books, the one shown in the image at the top of this entry (along with the fig tart) is a lovely adaptation by Peter Sis of The Conference of the Birds. I first came across it in the US during the summer, and was compelled to order several of his beautifully illustrated books once I returned to Florence, including this one. I remember some of his children's books from when my daughter was younger, but The Conference of the Birds is his first adult book. I love the story itself—a metaphor for the journey that this life is & the many ways people choose, or are destined, to live it—and the illustrations eloquently complement the text. (Details on the original poem, written in Persia in 1177, can be found here.)
Returning to the fruit... Shown in the apothecary jars below are the small green 'Claudia' plums & uva fragola, 'strawberry grapes', which are deliciously sweet. Their brief season has already finished, but now is the time for the intense little grapes found in schiacciata all'uva...a sweet flatbread with a bit of crunch from the little seeds, which remain among the sticky, semi-caramelized grapes.
And it's already time for the olives to be picked, so we can expect new olive oil soon—the first pressing always produces the most fragrant & flavorful oil. And on that note...
Below are some more 'story strips' from last month, using fallen olives from my favorite olive tree up at the rose garden. I was attracted to the intense purplish-browns & rough texture of these random olives, which had shriveled on their stems and then dropped to the ground. The leaf at the top of the right-hand 'page' (second image) is unusual for an olive leaf, but somehow they occasionally end up with irregular edges. I can hardly wait to get back to the rose garden again one day soon...I'm sure that its palette has also undergone quite a transformation.
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And here are a couple of shots of the Arno—the view looking east(ish) from Ponte Vecchio, and then a detail of the reflections. The colors seem to convey the feeling of autumn around here right now...
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One reason for my absence in Blogland lately is that I've been immersed in working on a new line of items for my online shop, PaperSynthesis. You may also have noticed a new addition in my sidebar—an 'Etsy mini'—as I'm in the process of moving items from my former shop to this new 'space'. I'll post more about the whole process once things are a bit more settled/organized. And one of these days I will reestablish the pleasant ritual of visiting all of the blogs I have been missing in the last couple of months...
